Alice’s Adventures in Wonderland. Family at the Ransom Center day

Alice’s Adventures in Wonderland. Family at the Ransom Center day

Visit Alice’s Adventures in Wonderland on Saturday, April 25, between 10 a.m. and 5 p.m. and luxuriate in free activities for the young and young at heart. You can easily participate in writing activities with teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program or engage with Lewis Carroll–inspired math activities with local math literacy organization Math Happens. University of Texas at Austin museum theater students will lead visitors through the galleries. Additional activities include docent-led exhibition tours and story times when you look at the theater. Family days are generously supported by a grant through the Austin Community Foundation, with in-kind support supplied by Terra Toys.

Below is a detailed schedule:

Teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program will lead activities that are writing the top of the hour from 10 a.m. through 4 p.m.

Join a docent-led tour associated with exhibition at noon, 2 p.m., and 4 p.m.

Enjoy story time in the theater at 1:15 p.m. and 3:15 p.m.

Follow University of Texas at Austin museum theater students through the galleries between 10 a.m. and noon.

Complete Lewis Carroll–inspired math activities with Math Happens while you tour the galleries.

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Before and After: “Alice’s Adventures in Wonderland” Movie Jecktors

The exhibition Alice’s Adventures in Wonderland features two 1933 toy paper film strips called Movie Jecktors. The film strips portray two of the most memorable components of the Alice story: “Down the Rabbit Hole” and “The Mad Hatter.” Images and text are printed in three colors on 35? strips of translucent paper. The strips are rolled onto wooden dowels and kept in colorfully printed little boxes. The Movie Jecktors might have been combined with a toy film projector to produce a simple animation.

The Ransom Center’s Movie Jecktors required conservation before they may be safely displayed when you look at the galleries. Both the wooden dowel additionally the storage box, that is manufactured from wood pulp cardboard, had a high acid content. An acidic environment is harmful to paper. The Movie Jecktors had become brittle and discolored, and there have been tears that are many losses into the paper. The movie strips have been repaired in past times with pressure-sensitive tapes (the common tape we all used to wrap gifts). These tapes will never be suitable for repairing paper because they deteriorate and often darken over time and are also difficult to remove once in place that we hope to preserve.

Due to the fact Ransom Center’s paper conservator, I removed the tapes using a heated tool and reduced the rest of the adhesive using a crepe eraser. I mended the tears and filled the losses using Japanese paper and wheat starch paste. When it comes to fills, the Japanese paper was pre-toned with acrylic paint to permit these additions to blend because of the original paper. Regions of ink loss are not recreated.

People to the exhibition is able to see the certain regions of the filmstrips that were damaged, but those areas are now stabilized and less distracting. This kind of treatment reflects the practice of conservation to preserve, although not “restore,” the object’s original appearance. Libraries, archives, and museums today often choose the conservation approach because it allows researchers and other visitors an improved knowledge of the object’s history, including damages that occurred, which may speak to the materials found in the object’s creation.

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Please click on thumbnails to enlarge images.

Easter hours weekend

The Ransom Center will likely be open throughout Easter weekend, including on Friday, April 3, from 10 a.m. to 5 p.m, as well as on Saturday and Sunday from noon to 5 p.m.

Free docent-led gallery tours occur daily at noon and Saturdays and Sundays at 2 p.m. No reservations are needed.

Admission is free. Your donation will offer the Ransom Center’s exhibitions and public programs. Parking information and a map are available online.

Please additionally be aware that the Ransom Center’s Reading and Viewing Room is open from 9 a.m. to 5 p.m. on April 4 saturday.

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John Crowley, whose archive resides at the Ransom Center, is an American author of fantasy, science fiction, and mainstream fiction. He published his novel that is first Deep, in 1975, along with his 14th level of fiction, Lord Byron’s Novel: The Evening Land, in 2005. He has taught creative writing at Yale University since 1993. A special 25 th -anniversary edition of his novel Little, Big will soon be published this spring. Below, he shares how Lewis Carroll’s Alice’s that is classic Adventures Wonderland influenced his or her own work.

A critical ( sense that is best) reader of could work once wrote a whole essay about allusions to and quotes from Lewis Carroll’s Alice’s Adventures in Wonderland books in a novel of mine called Little, Big—a very Alice sort of title to begin with. Some of the quotes and allusions, while certainly there, were unconscious; the turns of phrase and paradoxes and names in those books are so ingrained in me which they simply form element of my vocabulary. I first heard them read aloud: my older sister read them to me whenever I was about eight years of age. I don’t remember my reaction to Alice in Wonderland—except for absorbing it wholly—because for certain books read or heard at certain moments in childhood, there is absolutely no first reading: such books go into the mind and soul as though that they had always been there. I really do remember my response to Through the Looking Glass: i came across it unsettlingly weird, dark, dreamlike (it really is in reality the dream-book that is greatest ever written). The shop in which the shopkeeper becomes a sheep, then dissolves into a pond with Alice rowing as well as the sheep in the stern knitting (!)—it wasn’t scary, nonetheless executive resume writing service it was eerie because it so exactly replicated the movements of places and things and people in my dreams, of which I was then becoming a connoisseur. How did this book learn about such things?

Another connection that is profound have with Alice I only discovered—in delight—some years ago in (of all places) the Wall Street Journal. In a write-up about odd cognitive and sensory disorders, it described “Alice in Wonderland syndrome:” “Named after Lewis Carroll’s famous novel, this neurological condition makes objects (including one’s own body parts) seem smaller, larger, closer or higher distant than they really are. It’s more common in childhood, often during the start of sleep, and may disappear by adulthood…”

I have attempted to describe this syndrome to people for decades, and do not once met anyone who recognized it from my descriptions. In my experience it’s more odd an atmosphere than this, and much more ambivalent: I feel (or felt, as a child, hardly ever any more) as if my hands and feet are huge amounts of miles distant from my head and heart, but at the same time I am enormously, infinitely large, and so those parts are in exactly the same spatial relation to myself as ever, or even monstrously closer. It had been awesome when you look at the strict sense, not scary or horrid, uncomfortable but also intriguing. I wonder if Carroll (Dodgson, rather) had this syndrome. I’ve thought of including it on my resume: “John Crowley was created within the appropriately town that is liminal of Isle, Maine, and also as a child suffered from or delighted in Alice in Wonderland syndrome.”